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This Sony G Master 14mm E Mount full frame prime lens offers an extremely wide angle of view with a really fast aperture of f/1.8. The lens is very small and compact, and is fully compatible with Sony's advanced autofocus in cameras such as the FX9 and FX6.
This Sony G 20mm lens offers a fast aperture of f/1.8 covering full frame sensors. It is small and compact and fully compatible with Sony's advanced auto-focus in cameras such as the FX9 and FX6.
This Sony G Master 24mm lens offers a fast aperture of f/1.4 covering full frame sensors. It is small and compact and fully compatible with Sony's advanced autofocus in cameras such as the FX9 and FX6.
This Sony G Master 35mm lens offers a fast aperture of f/1.4 covering full frame sensors. It is small and compact and fully compatible with Sony's advanced autofocus in cameras such as the FX9 and FX6.
This Sony G Master 50mm E Mount prime offers full frame coverage and a very fast aperture of f1.2 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
This Sony G Master 85mm E Mount prime offers full frame coverage and a fast aperture of f1.4 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
This Sony G Master 100mm E Mount prime offers full frame coverage and an aperture of f2.8 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
This Sony G-Master 135mm E Mount prime offers full frame coverage and a fast aperture of f1.8 and is fully compatible with Sony's advanced autofocus functions of cameras such as the FX9 and FX6.
The Sony Venice 2 has a 8K full frame sensor with dual base ISO of 500 and 3200 ISO, which can be switched to the original 6K Venice sensor to allow for higher frame rates. The body incorporates AXSM slots directly and can record X-OCN RAW and 4K ProRes 4444 internally.
This Sony stills zoom lens, covers full frame and offers extremely long focal lengths from 200-600mm with a ramping f stop of 5.6-6.3. This lens also offers built-in optical image stabilization.
This E-mount converter doubles the focal lengths of the lenses mounted on it and maintains full functionality of Sony's advanced autofocus features with cameras likes the FX9 using compatible lenses.
This E mount stills zoom from Sony, offers a good range of wide-angle focal lengths, covers full-frame, and has a consistent f stop of 2.8 throughout the zoom range
This E mount stills zoom from Sony, offers a good range of wide-angle focal lengths, covers full-frame, and has a consistent f stop of 2.8 throughout the zoom range.
This E mount stills zoom from Sony, offers a good range of wide-angle focal lengths, covers full-frame, and has a consistent f stop of 2.8 throughout the zoom range
This RAW recorder from Sony can attach to the VENICE or F55 and F5 to enable RAW recording in Sony’s new X-OCN format. This efficient RAW format captures 16bit linear RAW at data rates equivalent to ProRes 4444. Adding to the F55 will enable shooting 120 frames per second in 4K.
The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. The 6K full frame camera allows it to shoot almost any format or aspect ratio for 4K production.
The Sony VENICE is a full frame cinema camera, with a newly developed sensor capable of capturing 15+ stops of latitude. Combined with the R7 recorder the camera can also shoot RAW to Sony’s X-OCN format boasting small file sizes compared to other RAW formats.
Combining the Sony VENICE with the Extension System allows you to separate the sensor and lens mount from the main body via a tethered cable up to 5.5m in length. This compact and lightweight block is great for specialist rigs, such as gimbals and car mounts without any loss in quality over the standard all-in-one setup.
This Sony 25” PVM-A250 Trimaster OLED Monitor has SDI, HDMI and composite inputs.
The Sony FE PZ 18-110mm F4 Zoom Lens is a Super 35 E-mount ENG style optically stabilised zoom lens. It has 3x separate lens rings for focus, zoom and iris as well as a zoom servo switch. Lens interface means focus and iris can be controlled from a compatible camera.
The Sony FE PZ 28-135mm F4 Zoom Lens is a Full Frame E mount ENG style optically stabilized zoom lens. It has an electronic zoom control via both zoom ring and lens-mounted servo switch, a manual focus ring and iris ring that supports electronic camera control. It allows a greater zoom range than similar photography zoom lenses.
Sony PMW-F55 has the ability to shoot 4Kor HD to its own SxS Pro+ cards using Sony’s XAVC codec. Adding the AXS-R5 recorder enables the Sony F55 to shoot 4K RAW.
Our F55 also comes with the CBK-55PD Codec Board which supports ProRes 4444, ProRes 422 (HQ), ProRes 422, DNxHD 220x and DNxHD 145 at a variety of frame rates.
The Sony PXW-FS7 Mark II is an update to original FS7 camera with a 4K Super35 CMOS sensor capable of capturing high-quality 4K footage internally onto XQD cards as well as shooting up to 180 frames per second (NTSC) or 150 frames per second (PAL) slow motion footage.
The Sony FX6 Cinema Line is a compact 4K full-frame interchangeable lens video camera capable of recording high-quality video up to 4K internally as well as 16-bit 4K RAW externally. Highlights features are fast hybrid autofocus with face detection using native E-mount lenses and S-Cinetone colour look.
The Sony FX3 boasts the same features as the A7s III, 4K full-frame mirrorless E-mount hybrid camera offering 4K internal recording, stabilised sensor, and incredible low-light performance. However, the body is designed towards shooting video only, with integrated tophandle, XLR inputs and convient setting buttons.
The Sony A7s III is a 4K full-frame mirrorless E-mount hybrid camera offering 4K internal recording, stabilised sensor, and incredible low-light performance. When compared to its predecessor, the Mark III provides the latest higher-quality internal codecs, better battery performance, and a fully adjustable, swivelling and tilting rear LCD display.
The Sony a7s Mark II boasts all the features of the Sony a7s Mark I (such as a full 35mm sensor, professional gamma curves, high quality codecs and it’s legendary low light capabilities) but with added features such as internal 4K recording and a 5 axis stabilized sensor.
The Sony a7s is a MILC with a full 35mm sensor, professional gamma curves, high quality codecs, 4K output via HDMI and extremely high performance in low light.
Shoots a variety of different formats and resolutions including 1080 422 50Mb/s video to Sony’s highly reliable SxS cards.
A 17” OLED monitor with SDI, HDMI and composite inputs.
Operating on channel 38, this radio mic is convenient to mount onto a camera and is therefore most commonly used when one-man-banding.
Specifically designed to record the XAVC codec (100Mb/s) as well as faster frame rates (PMW-F55: 240fps).
The Sony PXW-X200 records full HD 1920x1080 using 10-bit XAVC Intra and XAVC Long GOP as well as the older 8-bit MPEG-2 HD422 50Mbit/s format onto SxS cards. Additionally it has wireless functionality and the ability to stream proxy files.
With a 1/2” CMOS sensor, this camera records full HD 422 50Mb/s video to SxS cards and has the ability to change lenses.
Specifically designed to record the XAVC codec (100Mb/s) as well as faster frame rates (PMW-F55: 240fps).
A 7.4” OLED high res monitor with SDI, HDMI and composite inputs.
This omnidirectional clip mic can be discreetly attached to a subject’s clothing. It's hard wired and most commonly used in interviews.
Portable Card Reader for transferring SxS cards to a computer via USB.
Records 16bit 2K or 4K RAW from the PMW-F5, PMW-F55 and NEX-FS700.
Portable Card Reader for transferring AXS cards to a computer via USB.